Sunday, November 1, 2026

Books That Expand Perspective in the Secondary English Classroom by Elizabeth Kuhns-Boyle

 Books That Expand Perspective in the Secondary English Classroom

by Elizabeth Kuhns-Boyle

In secondary English classrooms, the books students read do far more than teach literary analysis. They shape how students understand culture, history, and the complexity of human experience. Literature introduces young readers to voices beyond their own communities while helping them reflect on their own identities and beliefs. For this reason, many educators are increasingly expanding traditional reading lists to include more diverse authors, genres, and perspectives.

Incorporating diverse literature into the English curriculum is not simply about representation for its own sake. It is about preparing students to think critically, understand different viewpoints, and engage thoughtfully with the world around them. When classrooms include texts written by authors from varied cultural backgrounds, students encounter stories that illuminate history, challenge assumptions, and broaden their understanding of society.

Education scholar Rudine Sims Bishop famously described books as “mirrors, windows, and sliding glass doors.” Her metaphor captures the powerful role literature plays in shaping how readers perceive both themselves and others. Books can act as mirrors that reflect students’ own experiences and identities. They can function as windows that allow readers to investigate cultures and lives different from their own. And they can serve as sliding glass doors through which readers step into unfamiliar perspectives, imagining the world through someone else’s eyes.

When educators intentionally include diverse literature in their classrooms, they create opportunities for all three experiences to occur.

Representation and Student Identity

One of the most compelling arguments for diverse literature in the classroom is the importance of representation. When students see characters who share elements of their cultural background, language, or lived experiences, they gain a sense that their stories matter within academic spaces. Literature becomes more than a distant subject to analyze. It becomes a reflection of real life.

For decades, many English curricula focused primarily on a limited group of authors and perspectives. While those works remain important, expanding the literary canon allows students to encounter a broader spectrum of voices that more accurately reflect the diversity of contemporary society.

For example, The Poet X by Elizabeth Acevedo explores identity, religion, and family expectations through the voice of a Dominican American teenager discovering the power of spoken word poetry. Written in verse, the novel captures the intensity of adolescence while addressing questions about cultural identity and self-expression.

Similarly, Firekeeper’s Daughter by Angeline Boulley follows a biracial, unenrolled tribal member who becomes involved in an undercover investigation in her Ojibwe community. Through its exploration of Indigenous identity, family loyalty, cultural traditions, and justice, the novel challenges students to consider how identity and community shape individual choices. Incorporating works like Boulley’s into the secondary English curriculum broadens students’ literary experiences while creating opportunities to analyze characterization, symbolism, point of view, and the relationship between cultural identity and storytelling.

These texts help students recognize that literature can represent diverse cultural experiences and that their own stories belong within the broader literary conversation.

At the same time, representation benefits all students, not only those who share the cultural background of the characters in the text. Encountering stories from different communities encourages readers to reflect on their assumptions and develop a more nuanced understanding of society.

Literature as a Pathway to Empathy

One of literature’s most valuable functions is its ability to foster empathy. When students read narratives centered on experiences different from their own, they are invited to imagine the emotional realities of others. This imaginative engagement helps readers move beyond stereotypes and simplistic interpretations of social issues.

Consider They Called Us Enemy by George Takei, which recounts the author’s childhood experience in the camps during World War II, when Japanese Americans were forcibly removed from their homes and incarcerated by the U.S. government. Through the lens of a child’s perspective, the memoir reveals how government policies shaped the daily lives of families forced into incarceration camps.

Takei reflects on the confusion he experienced as a young child living behind barbed wire, not fully understanding why his family had been removed from their home. The narrative invites readers to consider how historical events affect individuals on a deeply personal level.

Similarly, Persepolis by Marjane Satrapi offers a powerful portrayal of childhood during the Iranian Revolution. Through a combination of stark black-and-white illustrations and personal storytelling, Satrapi illustrates how political upheaval shapes the lives of ordinary people.

These narratives help students understand that historical events are not abstract occurrences recorded only in textbooks. They are lived experiences that shape families, communities, and identities.

By engaging with such texts, students develop empathy and a deeper appreciation for the complexity of global history.

Expanding the Literary Canon

Introducing diverse literature into the classroom does not require abandoning traditional canonical texts. Instead, it involves expanding the canon so that it reflects a broader range of voices and cultural traditions.

The traditional literary canon has long been dominated by works from a relatively narrow cultural perspective. While these texts remain valuable, pairing them with contemporary and multicultural works can enrich classroom discussions and deepen students’ understanding of literary themes.

For instance, themes of justice, identity, and civic responsibility appear prominently in The Hate U Give by Angie Thomas. The novel follows Starr Carter, a teenager who witnesses the police shooting of her friend and must navigate the emotional and social consequences of speaking out.

The story explores how race, community, and activism intersect in contemporary society. By engaging with the novel, students can examine how literature reflects ongoing debates about justice and social change.

Works like The Hate U Give resonate strongly with adolescents because they address issues that feel immediate and relevant. At the same time, they provide rich opportunities for literary analysis, including discussions of narrative voice, character development, and thematic symbolism.

Expanding the literary canon also introduces students to diverse narrative forms, including verse novels, graphic memoirs, and hybrid nonfiction. These forms challenge traditional assumptions about what literature looks like and invite students to analyze how visual and textual elements interact.

Literature as Cultural and Historical Context

Another significant benefit of diverse literature is its ability to provide cultural and historical context. Stories written from within specific communities often reveal perspectives that traditional historical narratives overlook.

For example, immigrant narratives offer insight into the emotional and cultural challenges of migration. Texts such as Inside Out & Back Again by Thanhha Lai portray the experience of leaving one country and adapting to life in another. Through poetic language and personal reflection, the novel illustrates how displacement affects language, identity, and belonging.

These stories help students understand that migration is not simply a political issue but a deeply personal experience involving family, culture, and adaptation.

Similarly, works by authors such as Amy Tan and Louise Erdrich explore how cultural traditions shape storytelling and identity. Their writing demonstrates how literature can preserve cultural memory and highlight experiences often overlooked in mainstream narratives.

By reading across cultures and historical periods, students gain a broader understanding of how literature reflects the complexity of human experience.

Strengthening Critical Thinking Skills

Diverse literature also strengthens critical thinking by encouraging students to examine how perspective shapes storytelling. When students analyze texts written from different cultural viewpoints, they must consider how historical context, social structures, and cultural values influence narrative voice.

Students may ask questions such as:

  • How does the author’s cultural background influence the story being told?

  • What historical events shape the characters’ experiences?

  • How does narrative voice affect the reader’s interpretation of the story?

These questions encourage students to move beyond surface-level reading and engage with literature in a more analytical way.

Comparative reading can be particularly effective in this context. When students examine texts from different cultural traditions that address similar themes, they gain insight into how universal experiences such as identity, conflict, and belonging are expressed in different ways.

For example, comparing graphic memoirs such as They Called Us Enemy and Persepolis allows students to analyze how visual storytelling communicates historical memory across different cultural contexts.

Preparing Students for a Global Society

Today’s students live in an increasingly interconnected world. Global communication, migration, and cultural exchange shape the societies they inhabit. A literature curriculum that reflects this diversity prepares students to navigate complex cultural conversations and understand perspectives beyond their immediate surroundings.

Reading works by authors from different cultural backgrounds introduces students to global narratives that challenge simplistic or single-story representations of history and identity.

For example, memoirs such as Born a Crime by Trevor Noah provide insight into life under apartheid in South Africa. Through humor and personal storytelling, Noah illustrates how political systems shape everyday life.

Such texts remind students that literature can serve as both artistic expression and historical testimony.

Exposure to global literature also helps students develop cultural humility. By encountering stories from a variety of perspectives, students learn that no single narrative can fully represent the complexity of human experience.

Building an Inclusive Curriculum

Expanding the range of texts in secondary English classrooms requires thoughtful planning and intentional selection. Teachers may begin by examining their current reading lists and asking which perspectives are represented and which voices might be missing.

In many cases, incorporating diverse literature does not require replacing traditional texts entirely. Instead, teachers can pair canonical works with contemporary or multicultural texts that explore similar themes.

For example, a unit on justice and racial inequality might pair Harper Lee’s To Kill a Mockingbird with Angie Thomas’s The Hate U Give, allowing students to compare how racism, community expectations, and the pursuit of justice are portrayed across different historical and contemporary contexts. 

The goal is not to create a checklist of representation but to build a curriculum that reflects the diversity of human experiences and storytelling traditions.

Diverse literature enriches the secondary English classroom by expanding the range of voices students encounter and deepening the conversations they have about culture, identity, and history.

When students read texts written by authors from a wide variety of backgrounds, they develop stronger analytical skills and a broader understanding of the world. They learn that literature is not confined to a single tradition or perspective but is instead a dynamic and evolving dialogue about human experience.

By thoughtfully incorporating diverse literature into the curriculum, educators create classrooms where students can see themselves reflected in the stories they read while also gaining insight into the lives of others. In doing so, teachers help students develop empathy, critical thinking, and a deeper appreciation for the power of storytelling.

About the Author

Liz is an experienced educator who has taught at the secondary and post-secondary levels since 1989. She is passionate about helping English teachers create inclusive, engaging, and culturally responsive literature curricula. Her work focuses on expanding traditional reading lists to include diverse authors, underrepresented perspectives, and stories that reflect a wide range of cultural and historical experiences. Through book recommendations, curriculum ideas, and practical teaching resources, she aims to help educators foster critical thinking, meaningful literary discussions, and a deeper appreciation for the many voices that shape literature.



Thursday, October 1, 2026

A Nightmare on ELA Street: Designing a Horror Lit Elective by Jason M. Kosmiski

 A Nightmare on ELA Street: Designing a Horror Lit Elective

by Jason M. Kosmiski, WPCTE Secretary


Last year, R.L. Stine spoke at the PennWest Clarion campus. The three male members of our English department decided to attend together. As we waited in line for the Marwick-Boyd Auditorium doors to open, the three of us talked about horror in popular culture, especially in books like Stine’s Goosebumps books. These conversations continued after the lecture. When I ran into my colleague, Logan McMahon, last summer, we hatched a plan to write a horror literature elective for our school.


Along the way, we constantly formulated our personal “greatest hits” of the horror genre (Stephen King MUST be represented in the collection somehow…and, you can’t leave out Alvin Schwartz’s Scary Stories to Tell in the Dark). We wanted our students to be exposed to the same scary stories in books that we read growing up. We collected a long list of books in text messages back and forth throughout the summer. We decided to take a chronological approach to horror found in literature. Eventually, I loaded our completed list of horror greats into AI and prompted it to organize our list of books and stories into a syllabus that made some sense. Surprisingly, AI did an amazing job organizing our favorites into one unified class called “Horror Literature: Fear Through the Ages.”


The course begins with ancient Greek and Roman myths about Medusa and what would be considered “biblical horror” stories from scripture to Poe and Hawthorne, and ends with contemporary horror writers like Shirley Jackson and, yes, Stephen King. The AI even suggested sample assignments for each unit (some of which we will keep, and some which we will change, develop, or add to). Each student in the class will keep a fear journal during the year in which they will post their reactions about fear, media, and society.


In early August, I was called to sit in on interviews for the two open ELA positions at our school. I printed out our proposal for the horror literature class and presented it to my principal. Then, I forgot about it since my position changed from teaching Freshman English for 27 years to teaching Senior English, out of the blue. The only question she asked me was, “Why horror?”


This year, Final Destination: Bloodlines was released. Even though there was a 14-year gap between the last Final Destination movie and 2025’s Bloodlines, the movie grossed $317.9 million worldwide. Stephen King published the clown-boogeyman horror novel IT in 1986. The 2017 & 2019 movie adaptations grossed $1.177 billion worldwide. Horror is hot right now! It’s what the kids are interested in. In March 2026, Scream 7 has grossed approximately $194.2 million worldwide. Not bad for a franchise older than most of our students! The first Scream movie came out way back in 1996. This summer, two of the biggest-grossing movies of the year were A24’s Backrooms and Universal’s Obsession (which was totally a rip-off of W.W. Jacobs’ 1902 short story The Monkey’s Paw).


The horror genre has long served as a mirror to society’s deepest anxieties, exploring themes of morality, identity, otherness, trauma, and cultural fear – some heavy stuff! So, why not use horror literature as the gateway for students to become interested in books? I already co-created a student book club at my school to promote literacy and create a “safe place” for our readers. This seemed the next logical step for me to promote literacy at Cranberry High School.


In mid-February, I received an email from my principal with an excerpt from the course description I had presented to her in August. She was asking if that text was what I wanted listed in the Program of Studies book. Wait! Seriously? That’s when I was told that “Horror Lit” was being offered to our 9-12 grade students as a class! It was approved by our board. Last week, I enjoyed the surreal experience of ordering books for the class: Frankenstein, Night of the Living Dummy, Scary Stories to Tell in the Dark, The Body (Stand by Me), and many more. Books I never thought I’d be ordering for school.


While I was writing this blog entry, I took a break to visit my friend, Andy Godinich, in the guidance office. He is responsible for scheduling and building the master schedule. I am happy to report that currently enough students have signed up for Horror Lit for it to run on the schedule next year. It’s official: Horror Lit is “ALIVE!” The master schedule is set, the books are on their way, and I can’t wait to spend next year showing my students that while some stories are meant to be read, the best ones are meant to be survived. 💀💀💀

Update on the Course


Here's a short goul-etin (a post-mortem, really) from horror literature dead-quarters. We've been digging our way through Greek mythology, The Book of Revelation, Beowulf, and Dante's Inferno in search of history's scariest gorgons, ghouls, and Grendels. To begin the course, I cobbled together video clips of all the movies that scared me as a kid growing up in the 80s (Poltergeist, Nightmare on Elm Street, The Dark Night of the Scarecrow). Currently, my ten students are researching one monster from world mythology, ancient folklore, or urban legend that genuinely creeps them out. Then they are dissecting its lore, examining how and why it frightens them, and analyzing what societal fear this creature might represent. Next week we will be stitching together a Gothic horror reading list. Beginning with the certified monster-piece -- Frankenstein -- the most seminal text in Mary Shelley's body of work. I am also conjuring up a lesson that compares W.W. Jacob's The Monkey's Paw with the box office smash Obsession -- let's hope we'll be "having a nice date!!!"

Author Bio

Jason M. Kosmiski is a board secretary of WPCTE. He is a seasoned English teacher with 28 years of classroom experience. An expert in edtech and in using AI in the ELA classroom, Jason has presented on AI at various professional development sessions. A board member of PAECT NW and a Keystone Technology Innovator, he's passionate about leveraging AI in education. This summer, he became a Teach Plus Pennsylvania policy fellow, where he's working on advancing the science of reading in Pennsylvania.

Tuesday, September 1, 2026

Flash Fiction for Every Classroom by Amy Kukula

 Flash Fiction for Every Classroom

by Amy Kukula


What if I tell you that you can give your students the chance to publish their writing beyond a classroom audience, celebrate their creativity, and flex their narrative writing skills, all in one week? If that sounds exciting, the WPCTE Flash Fiction Contest may be perfect for you! I’ve linked individual activities below, but you’ll find everything I use in this slideshow.

The Contest

The WPCTE Flash Fiction Contest is a writing contest for grades 1-12. The maximum length is 500 words (My 9th-grade students have been pleasantly surprised by the opportunity to convey meaning concisely, instead of having to ‘hit’ a minimum word count). The deadline this year is October 30, 2026.


Class Activities

  • Bellringers: Students read their independent choice books for a few minutes at the start of class, then I ask a bellringer question that they answer in their notebooks or discuss. Tie reading to writing by asking…
    • What do you love/dislike about what you are reading?
    • What genres do you enjoy reading?
    • How can a short story be impactful? (paired with a story from 100wordstory.org)
    • How did the author make the plot feel exciting/characters feel real in your book?

  • Introduction: Ask students to write down enough ‘talking points’ to tell a one-minute story to a partner, then repeat the process with less and less time. Any similar activity that gets kids thinking about cutting straight to the most essential, compelling action will work. Show the WPCTE contest guidelines (or have students explore them online).

  • Inspiration Stations: Hang eight stations around the room, give each writer the Inspiration Station page, and provide time to explore a few different stations.

  • Mentor texts: At the start of class, read a snippet from a mentor text, such as Between Shades of Gray by Ruta Sepetys. Inspired by Penny Kittle’s Micro Mentor Texts (a WPCTE book club offering this past year!), identify a craft move, such as ‘zooming in’ on a moment with imagery, to point out to students. Then, invite students to (optionally) incorporate that strategy or craft move into their own writing. This year, students created some amazing examples of onomatopoeia, sensory language, and dialogue to establish character traits. As they work, I confer with writers and check off names on my roster to make sure I speak to everyone.

  • Peer review: After peer review efforts fell flat during my first Flash Fiction year, I decided to ask kids to choose just an excerpt of their writing on which they specifically wanted feedback. A small group of peers gave one Glow (compliment) and one Grow (suggestion). This facilitated more specific and focused feedback. Afterward, students use the rubric to self-score with a quiet read-aloud.

  • Scavenger Hunt: Students read each other’s writing in a self-paced gallery walk. Analyzing fellow students’ writing for creative and effective use of literary elements frames them as real writers with real skills. Plan an hour to hang up all of the stories, then send students around the room with the Scavenger Hunt Doc.

  • Extension Activities (linked)


Timeline

I have one 39-minute period per day with each of my classes, so here’s how I set things up:

  • Day 1: Bellringer, introduce contest, Inspiration Stations
  • Day 2: Bellringer, mentor text mini-lesson (hooks), drafting/conferencing
  • Day 3: Bellringer, mentor text mini-lesson (zooming in with imagery), drafting/conferencing
  • Day 4: Bellringer, mentor text mini-lesson (characterization through dialogue), drafting/conferencing
  • Day 5: Bellringer reflecting on the writing process, finish drafting, peer & self-revision
  • Day 6: Scavenger hunt

With my Transition classes, I spent a little more time on this process (one and a half to two weeks) and added the Extension Activities (above) to build confidence.


Learning Curve

My school has an Artificial Intelligence usage matrix, as well as department policies for teaching the importance of originality, how AI works, and the consequences of using AI. Despite this, I had a student use AI to write their story. Consider asking students to sign a mini-contract promising originality, and schedule in time before the contest deadline to read everything prior to submitting.


Let’s do this!

I discovered the WPCTE Flash Fiction Contest as an undergraduate English education student at Indiana University of Pennsylvania when WPCTE President Amy Bouch invited our NCTE-IUP students to take part as judges. Now, as we look forward to the new school year, I hope you’ll consider joining in the fun! By devoting just one week to students’ freedom to write narratively, you inspire their storytelling skills, foster their creativity, and help them hone their craft. If you have questions or want to brainstorm together, please reach out to me at akukula@iasd.cc. Happy writing to you and your students!


Author Bio

Amy Kukula is a 9th-grade English teacher at Indiana Area Senior High School in Indiana, PA. She also choreographs musicals at Indiana Area Junior High, directs productions for the Footlight Players Youth Theater Camp, and teaches dance classes at Sue Hewitt Dance Studio.

Monday, June 1, 2026

Sharing Book Love: Books WPCTE Teachers Love to Share with Students

 Sharing Book Love: Books WPCTE Teachers Love to Share with Their Students


On March 11, 2026, WPCTE members gathered at St. Vincent College for the Literacy Love Conference. Keynote speaker Penny Kittle and teacher presenters inspired attendees to help their students fall in love with reading. Below, you'll find recommendations from conference attendees and WPCTE members online of the books that they love to recommend to their students to help them build book love. Add your students' favorite books in the comments!

Photos from the conference are available here.

10 Student Book Recommendations from WPCTE Members:


Six of Crows by Leigh Bardugo

Recommended by Emily Malovich, Sharpsville High School
Genre: Fantasy
Recommended Grade Level: Secondary (9-12)
What kind of reader might this book appeal to? Anyone who loves fantasy or needs a lot of action in their reading.
Why do you love to recommend this book? Students get drawn in by the high-stakes heist plot, but fall in love with the characters, their stories, and their relationships with one another. It also opens the door to the sequel, Crooked Kingdom, and Bardugo's other series set in the Grishaverse. (Link)



Novels by Alan Gratz

Recommended by Janel Prinkey, Rocky Grove Jr. Sr. High School
Genre:
Historical Fiction
Recommended Grade Level: Middle (6-8)
What kind of reader might this book appeal to? Readers fascinated with history.
Why do you love to recommend this book? Alan Gratz writes short chapters that hook students immediately. My students devour his books. (Link)




Daisy Darker by Alice Feeney

Recommended by Cassidy Black, Indiana Area School District 
Genre:
 Thriller
Recommended Grade Level: Secondary (9-12)
What kind of reader might this book appeal to? Readers who like psychological thriller, mystery, and suspense.
Why do you love to recommend this book? I love this book to recommend to students because it has a little bit of everything as a mystery novel - romance, comedy, psychological thrills, and more! (Link) 



The Catcher in the Rye by J.D. Salinger

Recommended by Katie Monsour, ARIN IU 28 
Genre:
Classic, Young Adult, Coming of Age
Recommended Grade Level: Secondary (9-12)
What kind of readers might this book appeal to? Introspective teens who feel misunderstood or out of place: Holden's voice resonates deeply with students processing their own identity.  Skeptics and independent thinkers who question authority, social norms, and "phoniness" in the world around them. Strong verbal/literary readers who appreciate stream-of-consciousness narration and an unconventional protagonist. Students navigating transition: moving from adolescence to adulthood, changing schools, or feeling disconnected. Reluctant readers who respond better to a conversational, raw, first-person voice than formal prose.
Why do you love to recommend this book? It sparks conversation, validates unspoken emotions, and lingers long after graduation. (Link)


Project Hail Mary by Andy Weir

Recommended by Emily Malovich, Sharpsville Area School District 
Genre:
Science Fiction
Recommended Grade Level: Secondary (9-12)
What kind of reader might this book appeal to? All kinds of students love this books, but it's great for science-oriented students and for boys who are otherwise reluctant readers.
Why do you love to recommend this book? It's full of action, high stakes, and lovable characters to keep kids reading. Since the protagonist of Project Hail Mary is a middle school teacher, there's no bad language at all. Weir's other books, The Martian and Artemis, are also good recommendations but do contain some profanity. With the new movie out, these books have been checked out so much that they're never on the shelves for long. (Link)


Song of a Blackbird by Maria van Lieshout

Anonymous Recommendation 
Genre:
 Historical Fiction; Graphic Novel
Recommended Grade Level: Middle (6-8)
Why do you love to recommend this book? It's a graphic novel about Resistance fighters in Amsterdam. The artwork is a blend of drawing and authentic photographs as well as a dive into ink plates and poetry graffiti.  A narrator is a blackbird who guides the characters to discovery about the bravery of those who resisted and the power of love to reunite lost souls. (Link)


After the Shot Drops by Randy Ribay

Recommended by Emily Malovich, Sharpsville Area School District 
Genre: Contemporary Fiction, Sports Fiction
Recommended Grade Level: Secondary (9-12)
What kind of reader might this book appeal to? Sports fans like this book because of the basketball plot; non-sports fans like this book because it's not REALLY about basketball.
Why do you love to recommend this book? Students get caught up between two relatable and sympathetic narrators, both of whom are partially responsible for the rift in their friendship. It also builds to a knuckle-biting climax and has a satisfying ending. (Link)


Track Series by Jason Reynolds

Anonymous Recommendation 
Genre:
Contemporary Fiction, Sports Fiction
Recommended Grade Level: Middle (6-8)
What kind of reader might this book appeal to? Those who love sports; those who love mystery and learning about people
Why do you love to recommend this book? The newest in the series, Coach, is the prequel which explains one of the main characters, the Coach, Otis,  in all the other novels.  Why read these?  Jason Reynolds!  His writing is truthful, lyrical, heart-wrenching, and engaging.  You will root for the characters! (Link)


Michigan vs. the Boys by Carrie S. Allen

Anonymous Recommendation 
Genre:
Contemporary Fiction, Sports Fiction
Recommended Grade Level: Secondary (9-12)
What kind of reader might this book appeal to? Anyone who likes sports; anyone interested in gender equality
Why do you love to recommend this book? This book is intensely good.  Although graphic in nature and language at times, Michigan's struggle to survive and ultimately succeed as the only girl on the boy's hockey team is a story not easily forgotten. She is brutalized by teammates who don't want her there and are threatened by her ability.  This book tells a story that needs to be told. (Link)



10 Quick Bonus Recommendations:

  • Punching the Air by Ibi Zoboi and Yusef Salaam (Link)
  • Kent State by Deborah Wiles (Link)
  • The Cruel Prince by Holly Black (Link)
  • Song of Achilles by Madeline Miller (Link)
  • Everything I Never Told You by Celeste Ng (Link)
  • Girl in Pieces and other books by Kathleen Glasgow (Link)
  • Beartown by Fredrik Backman (Link)
  • The Raven Cycle series by Maggie Stiefvater (Link)
  • Accountable by Dashka Slater (Link)
  • The Silence That Binds Us by Joanna Ho (Link)

Friday, May 1, 2026

Social Emotional Learning Toolkit by Caitlin Miller and Jenna Copper, Ph.D.


Social Emotional Learning Toolkit

by Caitlin Miller and Jenna Copper, Ph.D.


Social emotional learning (SEL) is the process through which children and young adults learn to develop healthy social skills, such as regulate emotions, understand emotions in themselves and others, achieve goals, make good decisions, and develop healthy relationships (CASEL, 2026). Everyone in some way will engage in SEL whether they are doing it on their own or at school. According to the Department of Health & Human Services (2026) approximately half of adolescents will experience a mental health disorder at some point in their lives, and research indicates that emotional dysregulation is linked to adolescent anxiety and depression (Young, Sandman, & Craske, 2019). In other words, adolescents often lack the skills to manage their emotions. Sandell (2020) explains, “Evidence suggests SEL is crucial for excelling in school and in life, as well as increasing success in academic learning” (para. 3). This skill, then, is desperately needed for them to be able to flourish in the academic journey.

At this point you may be asking, “Well, if this is the case, what can we do about it?” Teachers are required to follow academic standards that often neglect social emotional learning. As a preservice teacher studying lesson planning and standards alignment, I’ve often asked myself, Why can’t we add SEL to these standards?

This is the question I decided to explore when I started researching SEL last year. This research idea came to me after watching someone close to me deal with anxiety all through school, as well as myself, and getting limited support due to lack of resources. Teachers often did not have a lot of support in learning and teaching SEL strategies, and I wanted to do research on how to change that moving forward. What I found was that academic standards provide an excellent opportunity to teach SEL in the general education classroom. I specifically noted that literacy standards were particularly connected to SEL skills. Therefore, for my Honors College project, I decided to research ways to use literacy lessons and strategies to incorporate SEL into the general education classroom.

With the support of my Honors Program Project faculty supervisor, I created my SEL Literacy Toolkit that was specifically designed to support pre-service and practicing educators to connect SEL research to real classroom practice. Below is a breakdown of several tools that are included in the toolkit. This was designed for all teachers to be able to to find ways to incorporate SEL into the classroom and allow students to understand it more in their own lives.

For the toolkit, I identified different literacy tools that are relevant to teaching SEL. Each tool has a description of what it is, instructions on how to use it, the research showing it is helpful, the grade level it is for, materials needed, as well as the suggested literacy connection.

  1. The first tool is utilizing picture books to introduce and discuss SEL topics (Deliman, 2021). Read alouds in any grade level are a great way for students to see themselves as a character and be able to identify with issues going on in the book to better understand their feelings (Bennett et al., 2025). It allows students to see how people may feel with that emotion on a daily basis which is important so they know how others may feel. It also can open up discussions about ELA themes, such as relationships, social justice, and conflict.



  2. The next strategy is incorporating SEL vocabulary into traditional ELA word study. Vocabulary study is already embedded in all ELA classrooms; therefore, this can be a great opportunity to teach about different emotions and apply self reflection. Using a word wall to display the SEL vocabulary can create a daily check-in point for students to self-reflect and see how they are feeling without having to directly open up. All words for the vocabulary wall would be different emotions such as, sad, happy, mad, anxious, worried, excited, and other emotions. This can also be something the class works together to come with other emotions.


  3. Small group instruction is typically used for academic remediation and enrichment; additionally, this format provides an excellent opportunity to provide differentiated work based on students’ social and emotional needs (Phillippe, 2021). We have seen how this is important in many ways in a classroom, but directly for SEL, it allows students to open up to their peers, discuss emotions, support their peers with coping skills that they can come up with in a group, and practice listening skills (Phillippe, 2021). It also allows for students to simply just talk about different emotions in a safe space with their teacher.

  4. The final strategy is journaling (Robertson, 2022). Teachers can provide prompts, sentence starters, quotes, or statements related to SEL to support students in their journaling (Robertson, 2022). This type of writing-to-learn strategy can be assigned daily or weekly. To make this streamlined for the classroom, every student should have their own personal journal. If the student feels comfortable they can also hand in the journal to be read by the teacher, or keep it for themselves to reflect on. Additionally, students can incorporate drawing and art to express themselves. 

SEL is an important topic to talk about, especially in the educational setting. Some students may only feel safe to open up to their peers or teachers about how they are feeling. This research provides a safe way to not only teach about SEL but also for students to know that it is okay to have all emotions and that they are allowed and encouraged to talk about them. I feel that this research can help many students. Personally, I plan on using many of the tools in my future classroom everyday. I plan to dedicate a small amount of time every day to a different tool in the toolkit. For example, Wednesday can be journal day, or Thursday is small group day. These are just little ways that I feel can incorporate SEL into my classroom to better support my students. I also will use the vocabulary wall every day for taking attendance. My plan is to have a small box for them to drop in a card with their name and how they feel every morning while also checking in on each and every student. These are small ideas that can make a big impact in each students’ life and create a way for them to safely and effectively develop their SEL.


Author Bios

Caitlin Miller is a junior Early Childhood Education and Special Education at Slippery Rock University. She is an Honors Program Student and currently conducting research on incorporating SEL into literacy lessons.

Jenna Copper, Ph.D. is an Assistant Professor of Education at Slippery Rock University and Caitlin’s Honors Program Project Supervisor.






References

Bennett, S. V., Gunn, A. A., Peterson, B. J., & Bellara, A. P. (2025). “Connecting to themselves and the world”: Engaging young children in read-alouds with social-emotional learning. Journal of Early Childhood Literacy, 25(3), 777-800.

CASEL (2026). Fundamentals of SEL. https://casel.org/fundamentals-of-sel/

Cline, K. (2019). Social emotional learning and literacy in the primary grades: An integrated approach.

Deliman, A. (2021). Picturebooks and critical inquiry: Tools to (re) imagine a more inclusive world. Bookbird: A Journal of International Children's Literature, 59(3), 46-57.

Phillippe, A. (2021). Connecting the dots between academic and social-emotional learning with literacy. Michigan Reading Journal, 53(3), 5.

Robertson, Mackenzie. (2022). Journaling as a Social-Emotional Teaching Practice to Promote Adolescent Mental Health. Bowling Green State University 6-10.

United States Department of Health & Human Services. (2026). Mental health for adolescents. https://opa.hhs.gov/adolescent-health/mental-health-adolescents

Wednesday, April 1, 2026

Poems by Teachers about Teaching: WPCTE Celebrates National Poetry Month

 Poems by Teachers about Teaching: WPCTE Celebrates National Poetry Month

To celebrate National Poetry Month 2026, the blog committee put out a call to WPCTE members asking for teacher-composed poems about teaching. Enjoy the fantastic submissions below, and thank you to these amazing teacher-poets for sharing your work and your hearts with us!


Zimmerman Wedding

Teaching high school English means someone always  
asks, “can’t we just watch the movie instead?” 

The bell rings mid-sentence, 
and half the class is out the door in a rush. 

A forgotten pencil. 
Someone chose to not read. 
Someone finished it and has strong opinions. 

We spend twenty minutes arguing 
about why a character lied, 
as if the answer changes anything. 

A hand goes up 
just when the room almost goes quiet. 
My saving grace when conversation stops. 

But, by third period, 
the board is full, 
my coffee is cold, 
and somehow we are discussing 
why words written years ago 
still sound like they belong here. 

by Cassidy Black, Indiana Area Senior High School



Essential

Sometimes when a student asks
why we have to read something,
I am taken aback.

How could such a question
even be asked
when reading is so crucial
to the human experience?

Next, will they ask me
why we have to breathe?

The answers are the same:
because it’s necessary
to survive.

by Amy Bouch, Chartiers Valley Middle School, WPCTE President



First Day, Again

The campus breathes differently in August—
 a faint scent of printer ink and coffee grounds,
 mixed with the green insistence of late-summer grass.
 I know this air.
 I’ve walked through it for decades.

Once, I counted years in syllabi,
 pages in reading lists,
 faces in neat rows that blurred into the next semester’s faces.
 Now I count in smaller things—
 the way the first cough echoes in a quiet lecture hall,
 how one student’s pen taps
 like a metronome before the music begins.

They arrive in waves:
 some cautious, as if the doorway were a border crossing,
 others all elbows and laughter,
 already narrating their own beginnings.
 And I, the steady lighthouse on the shore,
 am here to keep the light turning.

I’ve learned the first weeks are not about what I teach,
 but how I listen—
 to the stammer of someone finding their voice,
 to the stillness that follows a hard question.
 We build the semester together,
 brick by brick,
 word by word,
 until the walls of the room are papered with understanding.

Every year I think I’ve seen it all—
 and every year proves me wrong.
 So I sharpen my chalk,
 open the windows to let in the hum of the quad,
 and take my place once more
 at the start of the story.

by Elizabeth Kuhns-Boyle, Community College of Allegheny County



Those Who Can

“Those who can,” they say, “do,
and those who can’t,” they say, “teach,”

ignoring one obvious truth:
We all teach every day –but
We don’t all teach well.

Every dad who tells his son not to cry, to “walk it off” and “be a man,”
Every mom who tells her daughter to skip dessert, “sit like a lady,” style her hair just so,
Every waiter who asks for an easier-to-pronounce name for the waitlist,
Every retail worker who follows some people more closely than others,
surveillance so thinly veiled under “just-here-if-you-need-anything” that everyone can read the subtext.
Every influencer spon con that promises spending money can make you 
thin and pretty and happy or 
tough and strong and invulnerable 
Every Disney movie with a slender, light skinned-eyed-and-haired princesses, 
rescued by some prince she’s never met,
somehow still so obviously her One True Love
&c., &c., ad infinitum.

There are  s o     m a n y  bad teachers out there
—everywhere always so ubiquitous they are invisible—

it’s no wonder our kids are so often sad, anxious, or lonely.

What is teaching but doing?
(or, at its best, undoing all those toxic lessons
the youth and we ourselves internalize)

Those who can must
And those who can’t must learn  t o     t e a c h.

by Hannah Lewis, PA Leadership Charter School, WPCTE Vice President


When It Rains...

Gathering of Green - 
Water cans, Youth's wisdom
When it Rains, it Poems.

by Aspen Mock, Forest Hills Junior-Senior High School

Painted Petals

Paper petals pressed
into pain, polished upon
pavement. Poetry's parade.

by Aspen Mock, Forest Hills Junior-Senior High School

Sustenance

Massive, ancient trees
Our boughs reach for the River-
Of What do We seek?

by Aspen Mock, Forest Hills Junior-Senior High School
Written during the Rain Poetry Johnstown Teacher's Workshop


Wellspring

Abound from the ground
Kigo and Satori spring-
It's raining Haiku!

by Aspen Mock, Forest Hills Junior-Senior High School



My student died today

Three students
Two life-flights
One student DOA
“We can’t release the names
Until the families have been notified.”
Families
Families
Families
Searching for faces in attendance
Questions sit in empty seats
Who isn’t here?
Who is alive?
Who isn’t?
How much can a school take?
And how is a school not a family?

by Janel Prinkey, Rocky Grove Jr. Sr. High School



Omoiyari

As I pick up the gum wrappers from the floor,
the abandoned papers from English, math class, or environmental science,
the pieces of mutilated pencils,
and all of the tiny lined-paper fringes that never quite seem to make their way into the garbage,
I lament why students can’t just throw their own trash away.
Why am I stuck here on my hands and knees, collecting scraps like a bird building a nest,
while they are long gone home for the night?
And then I try to find a new perspective, and I begin to wonder how this tiny
act of service
brings me closer to the space in which I teach and the students whom I strive to reach.
I think of students cleaning up their own schools in Japan,
I think of omoiyari and cultivating empathy, and
I think of a conversation once had with a colleague who offered to help me pick up the pieces 
off my floor so I wouldn’t be late to lead musical practice running out the door but then she said:
“The custodian complains about the mess, but isn’t this kind of her job?”
And I think of empathy for her, plus the brilliance that comes out of the mess,
and I wouldn’t trade the craziness, the nest of paper scraps and discarded ideas,
the buzz of fourteen-year-old energy and nonsense and brilliance that I’m gathering from the floor as I scramble out the door—any of it—
I wouldn’t trade it for the world.

Anonymous


Books That Expand Perspective in the Secondary English Classroom by Elizabeth Kuhns-Boyle

 Books That Expand Perspective in the Secondary English Classroom by Elizabeth Kuhns-Boyle In secondary English classrooms, the books studen...